The Lay of the Land

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After 20+ years in the world, I've returned home. Denmark and I have both changed. I feel like a stranger in a strange land with no language to make sense to myself and others. Why Have I come back? Is there a Nordic essence? Can one fall in love with her native land again? Join me as I explore my Roots and find out. 

Nordic Roots # 1

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The first thing the strikes me is the winter landscape – naked trees, moist textures of fermentation and fading colors. 

Nordic seasons are indomitable, marked by significant changes in light, nature and temperature. For 20 years, I have not experienced (survived) an entire fall and winter season. My eyes already hungry for light, my hips longing for the caress of summer, I'm astutely aware that my natural habitat of sensuality has gone amiss. My body does not know this. I watch fellow Danes go about their lives, in more layers, unfazed. Some throw themselves into the ice cold waters and reemerge, smiling. 

Where is my Viking Blood when I need it? 

My prior homes Kathmandu and San Francisco do not suffer such severe seasonal change. In winter a deep fog shrouds Kathmandu, but by midday it's burned off and the sun brings warmth back. San Francisco winters might greet you with wind, rain and grey skies, but only for so long, before your Californian sunlit dream returns. For 20 years I've counted on the light to not stray afar. 

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Nordic winter requires candles and kindling of your inner light

In San Francisco everything is wilder – the mountains, ocean, hills, the earth is rocky and hard and here and there, a grove of ancient redwoods or eucalyptus trees. In Nepal everything is more extreme – the desert lowlands drier then dust, the rocks, the rivers, the mud, the landslides, the green hills and rice paddy valleys slippery, and the high-arching backbone of the Himalayas, thankfully drawing you towards your true North. 

The Danish landscape is softer, the hills gentler, the pastures more groomed. Everything is smaller. Forests, lakes, streams and fjords all around, touching the eyes of romantics and melancholics in equal measures. Of course, there's the rocky island of Bornholm commanding the Baltic sea and far west, the long sandy coast is taming the Nordic sea. The top of Denmark is wide open, flat, sandy, incessantly moved about by winds and gust, as if to prove the impermanence of it all, but it doesn't matter, because since dawn, the magnificent light there makes any artist heart swoon.

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It's a Naked landscape

Winter brings a confrontational honesty. The seasonal cycle of birth, death and rebirth is visible, viscerally part of your Danish life. Here's no Californian beach to escape to, no mountain top to scale. You are left to deal with your own darkness as best as you can. 

The naked winter scape meets my own nakedness. Having let go of most of my possessions, my Californian life, old loves and outdated dreams, I'm here at the roots, in the middle of my life, watching the past compost, fade, die. It's a seasonal thing. 

Two things on my mind:

How do animals stay alive during winter hibernation? 

Do we see better in the dark? 

Lone Morch
Lone Mørch is an award-winning author, photographer. speaker and teacher. Born in Denmark, she's traveled the world, living and working in Europe, Asia and America—a path that has given her a profound sense of freedom and understanding of the influence of culture on female identity. Themes of female symbolism, archetypes and autonomy are central in her work as as she explores the crossroads between veils, words, art, politics, body and self. The founder of Lolo’s Boudoir, she's photographed hundreds of women since 2004, helping them transform their self-images and reconnect to their bodies and personal power. Lone has been featured in InStyle, Cosmopolitan, Photographers Magazine, San Francisco Chronicle, The Examiner Modern Love, East Bay Express, 7x7 Magazine and in Danish magazines such as Femina, Nova, Kiwi, B.T and Q. Her own writing has been featured in The San Francisco Chronicle, The Huffington Post, Magical Blend Magazine, Nepal Expat Magazine, Nyt Aspect, Nova, Samvirke and anthologies such as To Nepal With Love (2013) and Nothing But the Truth, So Help Me God (2012). Her memoir, Seeing Red, tells the story of her spiritual quest sparked at the sacred Mt. Kailas in the Himalayas, and her subsequent decade in America––as wife, woman and creative spirit–trying to make sense of her own relationship to the sacred, to personal power and the sacrifices required to live an honest life attuned to one’s soul and core values. It has won the Tanenbaum Literary Award, Honorary Mention at the San Francisco Book Festival, and the Bronze Medal in the 2013 Readers’ Favorite Book Awards. Unveiled (working title) is her second book. Based upon the past decade of photographing women, this chronicle of women's voices and images tells what the photographs alone cannot—that undressing is an act of shedding stories of doubt and shame to stand as a sovereign woman, free in body and spirit. In her prior lives, she holds a Masters Degree from Aalborg University in Political Science and Change, has worked as development associate with Care Nepal, team manager for the Kaospilot University and media producer at Ideagarden productions in San Francisco. She splits her time between USA and Europe. Learn more about her work here: lonemorch.com
www.lonemorch.com
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